Can it be sacrilege to declare that the best-looking movie established in Paris was shot by a handful of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French money – plus the neoclassical edifices of Mussolini’s Rome – in neat blues and shards of light as sharp because https://pins.schuttrange.lu/profiles/phimhentais/activity?locale=en